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Blindspot 2012: Primer

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Written and Directed by Shane Carruth (2004) Starring: Shane Carruth, David Sullivan

Primer is one of those grapevine movies, one of the few that had a lot of people talking about it after it premiered.  It is also a really smart science fiction film that approaches time travel in one of its more plausible scenarios, although I feel like most of the science went right over my head.  That creating a machine for time travel that the inventors might not even know what they’ve created seem fitting.

Abe (Sullivan) approaches his friend and business partner Aaron (Carruth) one day and explains that the machine they had been working on doesn’t error check.  This conclusion is drawn mostly by fungus, then by the fact that Abe has already built a machine for himself, and it is telling Aaron it exists from the future.

What Primer succeeds best in is building tension in a quiet, suburban manner.  The men aren’t trying to change history when they first travel with the machines, just to win money through the stock market.  Pretty soon, the notion of creating “doubles” and abusing the time streams is brought to an ethical quandary.  Notably, the fact that Abe and Aaron are consciously aware that they are destroying themselves through the machine.  Traveling back in time results in injuries that men discuss, but they slide over the fact that the man who goes into the box doesn’t exist at the end of the day.  Identities are drawn clearly as “doubles” rather than acknowledging the paradox of ending one’s own life to pursue time travel.  It poses an interesting double to a film like Moon where science effects the identity of the man experiencing it.

It’s worth another, more careful watch, if only to follow the engineer chatter that sets up the excellent third act.  I will admit that I had to look up a Wikipedia article for fully understand the time loop the characters create and to clear up some plot quibbles I had.  It doesn’t tie up perfectly, but it’s a movie that takes a popular topic for science fiction and turns it into an obscure dialogue into scientific ethics.

A Little More Homework: Blindspots 2012

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In joining Ryan and James, I’ve decided to clear up some missing films as apart of my New Year’s Resolutions.  A lot of my list are understood to be capital-c Classics, but a few have been sitting near the top of my Netflix queue for too long without earning my full attention.  So once a month, I will write a blog post about these films – adding a little more work to my filmic syllabus, but hopefully getting me back into the swing of blogging again.

NIL BY MOUTH

GRAND ILLUSION

BANDE A PART

MY NEIGHBOR TOTORO

GOODFELLAS

UMBERTO D.

BORDER RADIO

TRAINSPOTTING

I AM CUBA

HALLOWEEN

PRIMER

THE 400 BLOWS

Announcement: Costumes Series

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I’ve been thinking about doing a Costume-themed Series on the blog for awhile.  It’s not a secret that I love costume films.  Right now, I think every Wednesday I’ll post a movie and give some love to one (or more) of its costumes.

What would be awesome would be some suggestions!  What movies would you like to see?

Current Suggestions: The Fall (Blue Bandit’s costume), The Fountain (Queen Isabella), Moulin Rouge! (Dancers and Satine), Pride and Prejudice, Elizabeth the Golden Age, Vanity Fair, Curse of the Golden Flower, Sleepy Hollow, Jodhaa Akbar, The Lord of the Rings, Stardust, Kingdom of Heaven, Ever After, Dangerous Beauty, Interview with a Vampire, Phantom of the Opera, To Catch a Thief

ETA: Alice in Wonderland, My Fair Lady, House of Flying Daggers, Across the Universe, The Age of Innocence, Black Swan, 8 1/2, Singin’ in the Rain, The Wizard of Oz

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